COGNITIVE UNDERSTANDING OF IRONY IN LITERARY DISCOURSE: CONCEPTUAL INTEGRATION AND TEXTUAL TONE

Authors

  • Olena Orlychenko ORCID: 0000-0003-4115-4252 PhD in Philology, Associate Professor, Department of Theory and Practice of Translation of Romance Languages named after Mykola Zerov, Taras Shevchenko National University of Kyiv (Ministry of Education and Science of Ukraine) Address: 14 Taras Shevchenko Boulevard, Kyiv, 01601, Ukraine , Taras Shevchenko National University of Kyiv image/svg+xml
  • Iryna Tsyrkunova ORCID: 0000-0002-3526-3033 PhD in Philology, Assistant of the Department of Theory and Practice of Translation of Romance Languages named after Mykola Zerov, Taras Shevchenko National University of Kyiv (Ministry of Education and Science of Ukraine) 01601, Kyiv, Taras Shevchenko Boulevard, 14, Ukraine , Taras Shevchenko National University of Kyiv image/svg+xml

DOI:

https://doi.org/10.17721/2663-6530.2026.49.29-40

Keywords:

irony, conceptual integration, figure of thought, metaphor, literary discourse

Abstract

The article offers a cognitive approach to understanding irony as a complex mechanism of conceptualization, moving beyond the traditional view of irony as merely a stylistic or rhetorical device. The study is grounded in cognitive linguistics, particularly the theory of conceptual integration by G. Fauconnier and M. Turner, which allows the process of generating ironic meaning to be described as the interaction of multiple mental spaces. The focus is on how irony functions as a mode of worldview and as a means of organizing literary discourse, realized through tone, stylistic manner, and implicit evaluation. It is demonstrated that ironic meaning emerges through interpretation as a result of the addressee’s cognitive activity. This approach allows irony to be seen as a dynamic conceptual model that structures the literary text and shapes the interaction between author and reader.

References

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2. Booth, W. C. (1974). A Rhetoric of Irony. Chicago: The University of Chicago. 292 p.

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5. Fauconnier, G., & Turner, M. (1998). Conceptual Integration Networks. Cognitive Science, 22(2), 133–187.

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10. Jabłońska-Hood, J. (2020). Conceptual integration theory and British humour: an analysis of the sitcom Miranda. European Journal of Humour Research, 7(4). Retrieved from https://europeanjournalofhumour.org/index.php/ejhr/article/view/351?utm_source=chatgpt.com

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12. Turner, M., & Fauconnier, G. (1995). Conceptual Integration and Formal Expression. Metaphor and Symbol.

13. Tsyrkunova, I. V. (2016). Zasoby vidtvorennia ironiï v ukrainskykh perekladakh suchasnoi ispanskoï prozy [Means of Reproducing Irony in Ukrainian Translations of Contemporary Spanish Prose] (kand. dis.). Kyiv: Kyivskyi natsionalnyi universytet imeni Tarasa Shevchenka [Kyiv National University named after Taras Shevchenko].

Empirical sources:

14. Cela, C. J. (2008). La colmena [The Hive]. Sankt-Peterburg: KARO. 445 s.

15. Zafón, C. R. (2013). La sombra del viento [The Shadow of the Wind]. Planeta. 575 p.

16. Safon, K. R. (2009). Ihry yanhola [The Angel’s Games], per. z ispanskoi V. Shovkun [Translated from Spanish by V. Shovkun]. Kharkiv: Vydavnytstvo «Klub simeinoho dozvillia» [Kharkiv: Family Leisure Club Publishing]. 559 s.

17. Cela, K. Kh. (2011). Vulyk [The Hive], per. z ispanskoi S. Borshchevsʹkyi [Translated from Spanish by S. Borshchevski]. Kyiv: KM. 253 s.

Published

2026-01-29

Issue

Section

Articles

How to Cite

Orlychenko, O., & Tsyrkunova, I. (2026). COGNITIVE UNDERSTANDING OF IRONY IN LITERARY DISCOURSE: CONCEPTUAL INTEGRATION AND TEXTUAL TONE. PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, 1(49), 29-40. https://doi.org/10.17721/2663-6530.2026.49.29-40